Gladiator constituted an early example of what a powerful tool CGI could be even when used inrelatively subtle fashion as opposed to, say, the rampaging dinosaurs of 1993'sJurassic Park(which were achieved with a huge assist from VFX master Stan Winston's animatronic work),Gladiator employed digital trickery that was meant specificallynot to call attention to itself. His next enterprise was the film of "Hamlet," in which he appeared in the title role and directed. Let us know if you have suggestions to improve this article (requires login). He was not often given to public introspection about the art of acting, but in his 1982 autobiography, ''Confessions of an Actor'' (Penguin; Simon & Schuster), he wrote that to be a successful actor one needed ''an equal trinity of contributing qualities: talent, luck and stamina.'' During his six-decade career, Olivier became what some critics have called the greatest actor in the English-speaking world. During the filming, Olivier was knighted. His Iago, to Ralph Richardson's Othello, was again influenced by Jones; this time the theory was that Iago was really in love with Othello. Critics notwithstanding, the public flocked to see him; it was a unique tandem performance in which he and John Gielgud alternated in the roles of Romeo and Mercutio in what today might be called a Battle of the Bard. But the defendants claimed that the Jill Esmond, the first Mrs. Olivier, joined the company for the Broadway engagement. Jean-Pierre Bacri, le plus tendre de nos rleurs sen est all. Later that year, he was stricken with dermatomyositis, a muscle-crippling disease, among a series of illnesses that plagued him. Although the National sold out regularly, Olivier was often criticized during his tenure for hiring stars, for promoting Plowright, for choosing obscure plays and for not acting often enough himself. Whatever sex drive he had, Olivier wrote in his 1982 autobiography Confessions of an Actor, went into his acting. 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To raise money for this enterprise, he accepted virtually every film rolegood or badthat came his way, and even appeared in a series of American television commercials for Polaroid cameras. View popular celebrities life details, birth signs and real ages. Keep supporting great journalism by turning off your ad blocker. Olivier enrolled at the Central School of Dramatic Art in 1924, then began his professional career with the Birmingham Repertory Theatre Company (192628). Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. And Sir Alec Guinness, known for his own comic talent, said, ''Olivier has made me laugh more as an actor'' - in eccentric comic parts - ''than anyone else. But in films he came to be regarded as a quintessential romantic hero - his Heathcliff still makes hearts beat faster - even his looks were, to a certain extent, a tribute to the persuasiveness of his performance. Overview; Olivier Pierre is an actor. In Strindberg's ''Dance of Death,'' he fell to the floor in a faint with such conviction that audiences thought he had a stroke onstage. '', In 1945, he combined the sublime and the ridiculous on a single bill: after his famous eye-gouging performance in ''Oedipus'' he offered a cameo as Mr. Laurence Olivier, hailed as one of the greatest classical stage actors of his time, died yesterday at his home near London. Lord Olivier's historic career was filled with magnificent leaps. Wrens Beau Geste. He is a member of famous Actor with the age 50 years old group. WebOlivier Pierre (1953-2003) Actor IMDbPro Starmeter See rank Olivier Pierre was born on 19 October 1953 in Washington, District of Columbia, USA. At the prodding of Mr. Tynan, whom he named literary adviser, he played Othello and later Shylock. Olivier Pierre was born on October 19, 1953 in Washington, District of Columbia, USA. Some of his best roles, including "Othello" (1964), "The Merchant of Venice" (1970), and James Tyrone in "Long Day's Journey into Night," (1973) were played on the National stage. Olivier lost the Best Actor award to James Stewart who had literally redefined acting in The Philadelphia Story. In one of the tightest races in Oscar contention. He followed this with a year of classical roles in Stratford-upon-Avon: a second try at "Macbeth," the king in "Titus Andronicus" and Malvolio in "Twelfth Night," directed by Gielgud and costarring Leigh. The 16-stone actor suffered severe pelvic injuries followed by massive internal bleeding. One could elevate Sir John for his poetic bearing and voice and Sir Ralph for his gift for eccentric characterizations, but neither they nor any of their contemporaries could match Lord Olivier in matters of boldness and bravery. By turns, he loved and hated his craft--but never would contemplate retiring from it. His last public performance was a tape-recorded speech with extracts from Henry V, his contribution to a campaign to prevent developers covering up the ruins of the Rose Theater in London, where Shakespeare is thought to have acted. The scene was shot in shadow, with bars in between the stand-in and the camera, making the splice tougher to spot and amazingly, this scene still holds up quite well today. 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The year after "Henry V" he produced another tour de force: a double bill of "Oedipus Rex" and "The Critic," requiring him in one evening to go from the heights of Greek tragedy to the extreme comedic silliness of a Restoration farce. Later, at the National Theater, he was able to bring about the filming of his ''Othello'' and ''The Merchant of Venice,'' but much of his important acting was consigned to memory rather than being recorded for posterity. In a television interview in 1980, when he was 73, he said that the reason he kept making films was that he could not bear to stop working. He was among a group of actors knighted for their work, but in 1971 was elevated to a peerage as Baron Olivier of Brighton. The makeup took 3 1/2 hours to apply. For instance, seeking to conjure up Oedipus abject cry of despair, he would imagine the cry of the arctic ermine when it licks the salt laid down by its hunters and its tongue sticks to the ice. He was knighted and in 1970 dubbed Lord Olivier of Brighton. All were rivals, and Sir Ralph remained one of Lord Olivier's closest friends and a frequent adviser. Kidd after his father, Julius Kidd Brewer, a former award winning coach and land developer. Olivier began to direct and produce plays independently, including the London premiere of "A Streetcar Named Desire," starring Leigh. He was 82. Paralleling his renewed Hollywood reknown, he acted on television - as Lord Marchmain in ''Brideshead Revisited,'' as the barrister in John Mortimer's ''Voyage Round My Father,'' as the artist Henry Breasley in John Fowles's ''Ebony Tower,'' and, for the second time in his career, as a thunderous ''King Lear.''. What could have been his first Hollywood break in Metro-Goldwyn-Mayers Queen Christina (1933) was scuttled when star Greta Garbo vetoed Olivier as her leading man in favour of her former lover John Gilbert. At 15, he donned womens clothes to play Katherine in a Stratford Festival boys production of The Taming of the Shrew.. THE WIDOW and children of Roy Kinnear, the actor who died filming a stunt in Spain, were awarded pounds 650,000 damages and their legal costs in the High Court yesterday. Lord Olivier died ''peacefully in his sleep,'' surrounded by friends and relatives, in Steyning, West Sussex, said his agent, Laurence Evans. He had crippling bouts of stage fright and contemplated suicide. With False Noses. But the defendants claimed that the immediate cause of death was medical negligence by the Madrid hospital where he was treated, and that it should pay at least part of the damages. In the later years of his career his performances were restricted to films such as "Sleuth" and "The Clash of the Titans" and the television productions of "Brideshead Revisited," "King Lear" and "Voyage Round My Father." His leadership at the Old Vic and his continuing role as an actor and manager in the classic British tradition made him a natural to be named the first artistic director of the National Theater. Knighted in 1947, he became the first actor to receive a peerage in 1970, allowing him to sit in the House of Lords. 'A Tragedian by Art', Not to be underestimated was his gift for comedy, as Sir Toby Belch in ''Twelfth Night'' and also in ''Richard III,'' in which he found the comedy beneath the tragedy. Olivier took it as an opportunity to experiment with a new accent, a new nose or a new approach. In the first, Proximo visits a jailed Maximus, whose plan to escape and reunite with his still-loyal armies was discovered by Commodus. Alternate titles: Baron Olivier of Brighton, Laurence Kerr Olivier, Laurence Olivier, Baron Olivier of Brighton, Sir Laurence Olivier. Other actors spoke of their need to express themselves, but he said he was not conscious of any need other ''than to show off.''. ''Journey's End'' was an enormous success; ''Beau Geste'' was a failure, the first of several, a streak that was broken when Coward persuaded him to play the thankless role of Victor Prynne in ''Private Lives.'' The film of "Richard III," which he produced, directed and starred in in 1954, proved once again his great gift for transferring Shakespeare to the screen. His mother taught him speeches by Shakespeare and Marlowe that he declaimed, along with others he made up, from a small stage in the corner of his bedroom. For reasons that always remained unfathomable to his son, when Laurence was a young teen-ager his father decided that he would not, as he had thought, follow his elder brother, Richard, to India, but that he would stay in England and become an actor. The triple Oscar winner died peacefully in his sleep, surrounded by friends and relatives at his home south of London, said his agent, Laurence Evans. 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